#253) "Are You Experienced?" by Jimi Hendrix - Quintessential Hendrix here, I'd say...sexually charged melody, guitar singing (or in this case
groaning) rather than merely being played, and lyrics that are beautifully poetic, deceptively smart, and kind of predatory all at once.
"Are You Experienced?" is also one of those songs that, I think, has become historical, representative of everything that was going on at the time it was released (1967), not just out in the world, but in people's minds, as everything "out in the world" was changing so drastically.
"If you can just get your mind together, then come on across to me..."
#254) "A Thousand Miles From Nowhere" by Dwight Yoakum - For many years I've heard people talk about what's roundly considered the greatest country song of all time - "He Stopped Loving Her Today" by George Jones.
Meh, that's all right, but I've never understood why people consider it worthy of country music canon. For my money, it's not even the best George Jones song.
"A Thousand Miles From Nowhere", on the other hand, casts the ideal country mold - sorrow, heartache, a larger sense of lonesomeness - without trying to be "country". It doesn't try to be anything. It just is. A thousand miles from nowhere.
"All that I keep hearing, are the cruel, cruel words that you said..."
#255) "Maple Leaf Rag" by Scott Joplin - I rediscovered this music only in the last few months, after about a four-decade hiatus. I hadn't heard it since I was a kid, but there was a time, long ago, when it was a pretty big deal. My parents had an 8-track of ragtime composer Scott Joplin's greatest hits (seriously, it existed), and I wore that cartridge out jamming to Joplin in days when I was barely out of diapers (no, not high school). "Maple Leaf Rag" was my first experience feeling emboldened by music, first time being struck by the impulse to air play along.
Honestly, that's still the case. You can't help but have a little swagger after listening to this. It's not cool, hip or sexy, but it's simply good. The bratty-sounding melody coupled with an equally sassy rhythm make you feel good , which, at the end of the day, is the thing we most expect - and crave - from our music.
Right...?